STANLEY, George. The Sign of Seven
STANLEY, George. The Sign of Seven. London: J. Coker. 1950. 8vo. First edition. Publisher’s dark green cloth lettered in black to the spine, in the dust jacket designed by G. P. Micklewright. A very good copy overall, the cloth clean with a few light marks and a trifle bumped to extremities. The binding firm, tight and square, the contents for the most part clean, some offsetting and scattered foxing to endpapers. The dust jacket torn to front flap and without a price, the corners, tips and joints rubbed and bumped, a handful of spots, but scarce.
Stanley’s penultimate novel and perhaps his most famous. A quaint English countryside village is given the mark of death when a secret West African society invades. The glorious jacket art harks back to period 30s designs within the genre.
STANLEY, George. The Sign of Seven. London: J. Coker. 1950. 8vo. First edition. Publisher’s dark green cloth lettered in black to the spine, in the dust jacket designed by G. P. Micklewright. A very good copy overall, the cloth clean with a few light marks and a trifle bumped to extremities. The binding firm, tight and square, the contents for the most part clean, some offsetting and scattered foxing to endpapers. The dust jacket torn to front flap and without a price, the corners, tips and joints rubbed and bumped, a handful of spots, but scarce.
Stanley’s penultimate novel and perhaps his most famous. A quaint English countryside village is given the mark of death when a secret West African society invades. The glorious jacket art harks back to period 30s designs within the genre.
STANLEY, George. The Sign of Seven. London: J. Coker. 1950. 8vo. First edition. Publisher’s dark green cloth lettered in black to the spine, in the dust jacket designed by G. P. Micklewright. A very good copy overall, the cloth clean with a few light marks and a trifle bumped to extremities. The binding firm, tight and square, the contents for the most part clean, some offsetting and scattered foxing to endpapers. The dust jacket torn to front flap and without a price, the corners, tips and joints rubbed and bumped, a handful of spots, but scarce.
Stanley’s penultimate novel and perhaps his most famous. A quaint English countryside village is given the mark of death when a secret West African society invades. The glorious jacket art harks back to period 30s designs within the genre.